Booker Prize Disappointment: we woz robbed!

 

From: Nick Owen (Publisher)
To: All Staff
Time: 09:00

Subject: URGENT — Booker Debrief

Team,

Firstly, thank you for your passion and belief in ‘The Courting Lives of an Ageing Tennis Player’. While we didn’t technically win the Booker Prize, I’d argue we achieved something more valuable: visibility.

However, the Board (and my mother) would appreciate a brief internal reflection on how we might have positioned the book more ‘strategically’ next year. Please keep responses constructive and under 400 words.

Nick

From: Julian Pilkington‑Sterne (Marketing)
To: Nick, cc: All Staff
Time: 09:14

Subject: Re: Booker Debrief

Nick,

Firstly, what a night! The Guardian called the winner ‘genre‑defying’; I call ours ‘genre‑defining’. That’s a win in my book.

Possible factors influencing outcome:
1. Booker judges may not fully appreciate meta‑tennis allegory.
2. Our pre‑launch campaign (‘Love Means Nothing’) perhaps misread as nihilistic.
3. The ‘foam finger’ limited edition lacked gravitas.

Moving forward, we need experiential marketing. Picture it: a floating tennis court on the Serpentine. Guests rally while reading. We call it ‘The Serve of Consciousness.’

Yours in literature and lobs,
Julian

From: Eleanor Wheeler (Senior Editor)
To: Nick, Alex
Time: 09:46

Subject: Re: Booker Debrief

Nick,

Three reasons we didn’t win:
1. The judges read the book.
2. Julian designed the press pack in Comic Sans.
3. Our author thanked ‘the entire ATP’ in his acknowledgements.

Recommend next year’s submission be edited before, not after, longlisting.

E.

From: Paul Warren (Illustrator)
To: Eleanor (cc: Self)
Time: 10:02

Subject: Subject: Visual Post‑Mortem

Eleanor,

I’ve sketched ‘The Booker We Didn’t Win.’ It’s an empty lectern surrounded by hopeful stationery.
Would make a strong Christmas card.

Paul

From: Alex Moore (Operations)
To: Nick, Eleanor, Julian
Time: 11:08

Subject: Re: Booker Debrief

Colleagues,

While the Booker remains outside our operational remit, I note that last year’s submission budget (£3,500) was largely consumed by ‘Julian’s Concept Garlands.’

Next year we might consider:
– Allocating funds to postage rather than petals.
– Verifying eligibility dates before printing 500 bookmarks.
– Avoiding phrases like ‘The Djokovic of Fiction.’

Regards,
Alex

From: Clare Thompson (Reception)
To: All Staff
Time: 11:22

Subject: Re: Booker Debrief

Morning all,

A man in sunglasses dropped off a single tennis ball this morning with the note: ‘He deserved it more.’ It’s in the display case next to last year’s ‘regional commendation.’

If anyone wants tea, I’ve upgraded to Earl Grey. We’re clearly a grey‑area publisher now.

C.

From: Julian Pilkington‑Sterne (Marketing)
To: All Staff
Time: 12:03

Subject: Re: Booker Debrief

Just a thought: shall we release a Director’s Cut of the book? Slightly longer, same plot, heavier font?
I’m calling it ‘Confessions+’.

Julian

From: Eleanor Wheeler (Senior Editor)
To: Julian
Time: 12:05

Subject: Re: Confessions+

No.

E.

From: Nick Owen (Publisher)
To: All Staff
Time: 16:10

Subject: Re: Booker Debrief — Next Steps

Team,

Excellent reflections. Thank you. I propose a follow‑up session titled ‘Booker 2026: Beyond Failure.’ Julian will lead a motivational icebreaker (‘Second Serve Strategy’), and Paul will unveil his ‘Lamentation Sketches.’

Please bring ideas and biscuits.

Nick

From: Clare Thompson (Reception)
To: Alex Moore
Time: 18:45

Subject: Private: Diary Clash

Alex,

They’ve booked the same date as the Arts Council audit. I’m not saying divine intervention, but the diary just saved us all.

Julian Writes:Audiobook, here I come!

Have spent the weekend recording “test reads” in my wardrobe using my phone and a towel. It’s going well, though Siri keeps interrupting.

In my final take I whispered:

“Confession isn’t weakness — it’s marketing with honesty.”

It gave me goosebumps.

If this goes right, I’ll make sure the series becomes a whole audio universe.
The Courting Lives of an Ageing Tennis Player: The Podcast. The Soundtrack. The Brand.

If this goes wrong, I’ll tell Nick it was a focus-group experiment.
Either way, the voice of NOP is coming.
And it might just be me.

Julian Writes: third slightly tentative steps to my Audiobook Ambitions

Woke at dawn with a vision. Not of Nick, but of the soundtrack.

Imagine the ball hitting the net in slow motion, followed by a deep cello note and a whispered confession:

“I was always better at losing gracefully.”

Then my voice (or a fades in, narrating over ambient crowd noise.
It’s not just an audiobook — it’s cinematic intimacy.

Sent a 1,200-word email draft titled “Sonic Futures: Aural Brand Synergies” to myself.
Will forward to Nick once I’ve removed the parts where I refer to myself as “the oracle of audio.”

Julian Writes: second tentative steps to my Audiobook Ambitions

Home late after a “strategy chat” with Eleanor in the pub. She says audiobooks are “performative literature,” which I think was meant kindly but sounded like a warning.
I told her I’d volunteer to “consult” on the voice direction, i.e.select the narrator. She raised an eyebrow and asked if I knew any voice actors. I said I was network-adjacent to several. (Translation: I follow Stephen Fry on X.)
In my notes app I’ve drafted:
Julian Pilkington-Sterne: The Sound of Modern Literature™
It’s ambitious, yes. But ambition is a transferable skill.

Julian Writes: first tentative steps to my Audiobook Ambitions

Had lunch alone today (by choice). Spent the hour mapping out what I’m calling Project Serve & Verb™ i.e. the re-imagining of Confessions of An Ageing Tennis Player for the sonic age.

Phase 1: secure producer credit (through charm or proximity).
Phase 2: negotiate subtle but frequent mentions of my name in behind-the-scenes materials.
Phase 3: become the voice of Nick Owen Publishing — literally.
Paul walked past while I was rehearsing the line “Love all, except when it hurts.”
He didn’t comment. He just looked at me in that way illustrators do when they realise someone might soon be paid more than them.
I must protect this idea.
Also: check if HR can trademark my voice.