Behind the Scenes: Crafting an Audiobook with Raconteurs Audio

We’ve been delighted to work with Raconteurs Audio, the production company who are the guiding lights in turning Confessions of an Ageing Tennis Player into an Audiobook. We met the company at the Troubadour conference in Leicester in September and it’s been full on since then. We asked Helen, founder of the company, about what interested in her working on the book. She says:

“When we met at the Troubador conference and you showed me the book I was intrigued. What a challenge to turn this beautifully illustrated book into an audiobook. Finding the right voice was only the first step … making sense of the layout of the MS was another challenge, and I know parts 2, 3 and 4, will each present a new set of conundrums to overcome. From a producer’s point of view working on a book that is so clearly character led, where the humour is quirky, when it is a book with attitude, is always a joy. Getting across the almost schizophrenic narrative voice, and in due course bringing in all the other characters is enormous fun, then fitting it all together into one seamless production is what makes our job unique. It’s a real privilege when an author trusts us to bring their words to life.”

She goes on to describe how Raconteurs itself started.

“The idea for Raconteurs happened in 2018 when a group of British Audiobook narrators met over coffee and bagels in a Manhattan 24-hour diner. Three years later Raconteurs Audio LLP was formed, and we produced our first audiobook, a collection of short stories by H. G Wells. This was awarded a prestigious Audiofile Magazine Earphones Award.

Since then, we have gone from strength to strength: we have another Earphones Award and an Audie Nomination to our credit, and work regularly with indie authors, as well being a production partner for mainstream publishers. Our core partnership remains at the heart of the business, as we continue to build our network of carefully selected narrators from around the world. 

We are immensely grateful to the authors and publishers who trust us with their work, and we do all we can to bring their words to a listening audience, creating audiobooks of which we can all be proud. 

And here at NOP, we’re delighted to be working with Raconteurs and can’t wait to hear the magic they’ve woven!

Want to see more about the book itself? Just click here:

Julian Writes:Audiobook, here I come!

Have spent the weekend recording “test reads” in my wardrobe using my phone and a towel. It’s going well, though Siri keeps interrupting.

In my final take I whispered:

“Confession isn’t weakness — it’s marketing with honesty.”

It gave me goosebumps.

If this goes right, I’ll make sure the series becomes a whole audio universe.
The Courting Lives of an Ageing Tennis Player: The Podcast. The Soundtrack. The Brand.

If this goes wrong, I’ll tell Nick it was a focus-group experiment.
Either way, the voice of NOP is coming.
And it might just be me.

Julian Writes: third slightly tentative steps to my Audiobook Ambitions

Woke at dawn with a vision. Not of Nick, but of the soundtrack.

Imagine the ball hitting the net in slow motion, followed by a deep cello note and a whispered confession:

“I was always better at losing gracefully.”

Then my voice (or a fades in, narrating over ambient crowd noise.
It’s not just an audiobook — it’s cinematic intimacy.

Sent a 1,200-word email draft titled “Sonic Futures: Aural Brand Synergies” to myself.
Will forward to Nick once I’ve removed the parts where I refer to myself as “the oracle of audio.”

Julian Writes: second tentative steps to my Audiobook Ambitions

Home late after a “strategy chat” with Eleanor in the pub. She says audiobooks are “performative literature,” which I think was meant kindly but sounded like a warning.
I told her I’d volunteer to “consult” on the voice direction, i.e.select the narrator. She raised an eyebrow and asked if I knew any voice actors. I said I was network-adjacent to several. (Translation: I follow Stephen Fry on X.)
In my notes app I’ve drafted:
Julian Pilkington-Sterne: The Sound of Modern Literature™
It’s ambitious, yes. But ambition is a transferable skill.

Julian Writes: first tentative steps to my Audiobook Ambitions

Had lunch alone today (by choice). Spent the hour mapping out what I’m calling Project Serve & Verb™ i.e. the re-imagining of Confessions of An Ageing Tennis Player for the sonic age.

Phase 1: secure producer credit (through charm or proximity).
Phase 2: negotiate subtle but frequent mentions of my name in behind-the-scenes materials.
Phase 3: become the voice of Nick Owen Publishing — literally.
Paul walked past while I was rehearsing the line “Love all, except when it hurts.”
He didn’t comment. He just looked at me in that way illustrators do when they realise someone might soon be paid more than them.
I must protect this idea.
Also: check if HR can trademark my voice.