Creative Brainstorms Driving Seasonal Innovation

Our December planning sessions have begun with great energy. Recent team discussions have spotlighted innovative approaches to audience engagement, comedy writing, and international partnerships.

We’ve seen fantastic cross-department participation, with team members volunteering fresh insights and creative solutions. NOP continues to grow because of the passion our staff bring to every conversation, even the spontaneous ones.

Audiobook Review: Confessions of an Ageing Tennis Player

Now available on CD is the audiobook of Confessions of an Ageing Tennis Player!

Remember when you were young and emulated your sporting heroes in the streets or school playground and were going to win Gold at the Olympics, The 100m sprint? The World Cup?  Wimbledon? 

Confessions of an Ageing Tennis Player is the must-go-to humorous guidebook about dreams, disappointments, failures and triumphs; a satirical mid-life-crisis handbook for everyone who has never quite fulfilled their fantasies on the tennis court, or anywhere else. 

The ‘Sporting Confessions’ series offers some rare insights and humour into what it is to be an athlete at the top of their game. Confessions of an Ageing Tennis Player is the first book in a quartet of books which follow our hero, Lord Andy John Paul George Ringo Murray of Kirkintilloch through the Tennis Grand Slams around the world, in Melbourne, at Roland Garros in Paris, and finally, Lord Andy’s journey to immortality is told through the Fantastic Confabulations of an Ageing Tennis Player at Flushing Meadows in America. 

 ‘Forget Sports Personality of the Year, because ‘Confessions of an Ageing Tennis Player’ wins my Sports Hero of the Decade! In a world where fame sometimes sleazily schmoozes with ability, Nick Owens’ salvos slyly obliterate the pretensions afflicting grand spectacle. Written with cheery lunacy, the rollercoaster of crazy is a joy and a credit to serving both a fine read and a smashing volley, earning a final score of everything-to-love.’ 
(Rick Hoegberg, writer)

Read by the one and only Samuel James, he says:

“The idea of an epic battle between the common man and the forces, trying to keep them at bay is always a winner with me. Nick’s brilliant balance between humour and tragedy had me cheering for Lord Andrew whilst at the same time wishing he could find someone, anyone, to just sit down with for a serious talk over a cup of tea …  Iparticularly enjoyed recreating a well known – and cringeworthy – interview with a certain political leader on the BBC!”

Maja writes: OH NO SHE DOESN’T

(Private. Absolutely not for the NOP website.)

I did not expect today to unravel the way it did.

I thought we were simply “welcoming an international visitor,” which in NOP-speak usually means tidying a single table, hiding the panic kettle, and pretending we don’t hear the printer grinding its existential screams. But then she arrived.

Shaila Rao.

Tall, composed, astonishingly alert, as if she’d already assessed the structural weaknesses of the entire building on entry. She carried herself with this calm, contained power that made the fluorescent lights look embarrassed to be near her. And from the second Julian saw her…

(Want to hear more of my story? Then subscribe here before the bosses delete this post… Love from Maja xxx

Strengthening Collaboration as We Approach Year-End

As the year draws to a close, the NOP team has been energised by a renewed focus on collaboration and shared creativity. Last week, colleagues engaged in a lively after-hours catch-up to exchange ideas on upcoming manuscripts, festive campaigns, and new ways to support our authors.

We’re proud of the enthusiasm everyone brings to these informal idea-sharing sessions: another reminder of what makes NOP such a dynamic, people-first publishing house.

Please note that future postings will no longer be produced by the younger members of the NOP team but from our professionalised marketing and communications department. If you wish to hear from those members, please contact us directly via this form:

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Warning
Warning
Warning
Warning.

Julian writes: whose tune is it anyway?

(Filed under: Internal. Private. Do Not Let Eleanor Ever See This.

I am writing this while still in a sort of euphoric daze, the office finally quiet after a day that felt like a cross between a diplomatic reception and a Victorian automaton show gone slightly wrong.

Shaila arrived at 10:03. The exact minute is important because I had spent the preceding nine minutes adjusting my shirt collar in the reflection of the microwave door. She entered the office with a kind of calm precision that made the rest of us look like clockwork figures operating half a beat behind. The team’s reaction was mechanical.

Alex stood up too quickly, stuttered something about “global partnership potentials,” then knocked over his water bottle. Paul stared for a long time, almost studying her as if he were mentally sketching the whole encounter for a future satirical piece. Maja said “Welcome!” with the sort of brightness you hear from someone pretending they’re not irritated.

There was a strange atmosphere all morning, like everyone had been wound up, and not entirely in harmony. You could feel the tension in the air, as if the whole office was a contraption built to amuse, impress, and possibly misfire at any moment. I began the tour.

Shaila listened with remarkable attentiveness, even when I explained the printer’s spiritual role in our daily operations. At one point, the machine clanked, shuddered, and produced a sheet of paper with half a spreadsheet and half of last month’s biscuit order. She raised an eyebrow in a way that suggested both amusement and mild alarm. She fits here, somehow.

When I introduced her to Eleanor, there was a brief encounter moment when Shaila’s poise met Eleanor’s seriousness like two elements in some historical re-enactment. Eleanor stood stiffly, as if expecting danger or disappointment, whereas Shaila clasped her hands serenely, observing everything. In the corner, someone’s phone started making a mechanical groaning noise from a dodgy WhatsApp notification, which only heightened the surrealness. (NOP really must update its ringtones.)

Lunch was the turning point. Shaila laughed (!) at my remark about English people apologising to furniture. It wasn’t a polite laugh, either. It was rich and genuine, the kind you feel in your ribs. And I… well… I felt something shift. Inside me. Possibly permanently.

Her insights about Delhi publishing were razor-sharp. Her humour was dry but warm. She asked questions that made me feel seen, professionally anD perhaps personally.

Maja noticed. Of course she noticed.

She barely touched her sandwich, and at one point she muttered something about “imported fascination” before disappearing to “check emails,” which is code for “seethe in the corridor.”

The afternoon included a roundtable discussion. But honestly, after lunch, everything felt slightly unreal, as if the office furniture was watching, the walls listening, and the whole place humming with a low, theatrical growl.

When Shaila prepared to leave, the tension in the room lifted like a stage prop being moved off-set. She thanked everyone, then turned to me last.

“Your humour,” she said, smiling, “is even more English than I expected.”

Reader, I nearly fainted.

After she left, the silence in the office felt settled. I’d been part of a spectacle I’d not quite sure I understood, but can’t stop thinking about.

I am absolutely smitten. There is no point pretending otherwise.

Maja avoided me all afternoon. She claims she’s “fine,” but her typing has been louder ever since. If Shaila returns (and I hope she does) I will try to behave like a normal adult human. But I suspect that today will stay with me for a long time.

Something mechanical in my chest has been wound up and set in motion. And yes, dear reader, I do not know yet which tune it intends to play.