Exciting news for NOP: we appoint our first ever employee! Meet Julian Pilkington-Sterne our new Marketing Executive and Mischief Manager

Press Release

**For Immediate Release**

Nottingham, UK – 7 October 2025

Nick Owen Publishing (NOP) is delighted to announce the appointment of Julian Pilkington-Sterne as our new Marketing Executive and Mischief Manager: a move that marks the start of a new era of creative growth and digital innovation for the company.

Julian, a graduate of the University of Leeds with a BA in English Literature and Digital Media, joins NOP following a series of freelance roles supporting independent authors, theatre collectives and arts organisations across the UK. His previous campaigns — blending social media storytelling, brand identity, and humour-driven engagement — have already earned him a reputation as one of the most promising young voices in creative publishing.

“Julian represents the next generation of literary marketeers,” said Nick Owen MBE, Founder and Publisher at NOP. “He understands that books are not just products — they’re conversations. His mix of insight, imagination and mischief fits our ethos perfectly.”

A New Chapter for a Bold Independent

Since its founding, Nick Owen Publishing has built a loyal following for its distinctive blend of satire, sincerity, and literary wit — with titles including Confessions of an Ageing Tennis Player, The Courting Lives of an Ageing Tennis Player, and Les Conquêtes Normandes d’un Tennisman Vieillissant.

Julian’s appointment signals an expansion of the publisher’s digital presence, with plans for:
• A refreshed website and online shop experience
• The launch of The Mischief List, NOP’s new reader newsletter
• Creative social media storytelling and interactive campaigns
• A podcast, audiobook and live event strand under development for 2026

“My goal is to grow NOP’s audience without losing what makes it special,” said Julian. “This is a publishing house with a soul — one that believes humour and honesty can share the same sentence. I’m here to make sure more people get to read, laugh, and join the mischief.”

About Julian

Born in Manchester and now based in Nottingham, Julian studied English Literature and Digital Media at the University of Leeds, where he specialised in narrative design, audience engagement, and cultural marketing. Before joining NOP, he worked with a range of independent writers and small presses, helping them build brand identities rooted in authenticity and creative play.

He describes his role at NOP as “half marketing, half matchmaking — connecting good books with the curious minds who need them most.”

About Nick Owen Publishing

Nick Owen Publishing (NOP) is an independent British publisher of literary fiction, satire, playscripts, and creative non-fiction. Founded by Nick Owen MBE, the press champions writing that blurs the line between humour and humanity — publishing “the truth, the whole truth, and anything but the truth.”

Based in Nottingham, NOP’s catalogue includes the acclaimed Confessions series and an expanding list of authors exploring creativity, community, and chaos in equal measure.

Julian joins a growing gang of mischief makers: Paul Warren (illustrator), Alexander Moore (editor), and Gary Carpenter (composer), pictured below:

Press Contact

Press Enquiries:
Nick Owen Publishing Ltd
📧 nick@nickowenpublishing.co.uk
🌐 http://www.nickowenpublishing.com
📍 Nottingham, United Kingdom

ENDS
For images, interviews, or additional press materials, please contact the NOP Press Office.

Poetry on the Hoof: Scruffy Students

It was National Poetry Day last week and we can’t stop celebrating it, especially now that all those students are harnessed back in their faculties and student bars.

Here’s ‘Scruffy Students’ to help them settle in to their new term (or semester or whatever’s been concocted for them this year). Thanks to my favourite postgraduates and our illustrator, Paul Warren for the inspiration!

Scruffy Students

Sporty scruff
Sparky scruff
Just pissed up in the afternoon
Scruff.

Beery scruff
Hippy scruff
Permanent student in a beetle
Scruff.

Lecturer scruff
European scruff
We’re all mates together in a rugby scrum
Scruff.

Lectures seminars
Tutorials workshops
Doubting supremacist knowledge
Scruff.

The only unscruffy ones are the Arabs, Africans and Chinese.
Do they know something we don’t?

A Day in the Life of Me: a Portrait of a Careers Advisor as a Young Man.

LIPA students go on to get involved in a wide and wild variety of activities once they’ve left the Mother Ship. Here, Alex Rivers (Community Music, 2004-07) reflects on his work in his school’s careers service. Whether behind a mic or a djembe, Alex believes in music not just as performance—but as connection, resistance, and radical care. His motto – “Don’t underestimate how powerful your music can be—even if no one claps.” – is something he learned at LIPA and has informed his music ever since. He supports his musical ambition as a part time careers support worker in a Liverpool secondary school, not a million miles away from where he graduated all those years ago.

A Day in the Life of Me

The world of work looms large for children these days. They may think they’re safely ensconced in the heaving bosom of their primary school; they may feel immune in the cut and thrust of the corridors of their secondary school; but the truth is the World of Work is always beckoning to them from an ever decreasingly young age. Before too long, infants at nursery will be incalculated with the rights and responsibilities of being a corporate citizen.

This is of course very good news for those of us who have chosen the career path of Careers Advisor. Once upon a time we were locked up in the staff room of the average secondary school and only let out to play once the youth had turned 15, but these days we are called upon to enthuse the youth about the World of Work the moment they set foot in a primary school.

This is an excellent state of affairs for us Careers Advisors as it means our careers have a longevity only dreamt of by our forefathers. The professional Careers Advisor now has a genuine careers path with opportunities of progression, professional development and foreign travel. Now, instead of suggesting that the youth tread gingerly in the footsteps of doctors, soldiers, and engineers, we can advise our youth to follow in our footsteps and become Careers Advisors in their own right when the time to consider their careers is up.

There are some that look askance at such a piece of professional advice although I can’t think why. Not everyone can become professional doctors, footballers or community artists so it is right and proper that we lay out all the options to the sweaty youth who are perched on their seats in front of us.

Just this morning I was faced with an oik called Gerald who had no idea about the World of Work. He knew nothing of what his next best step would be, being the best he could be or fulfilling his potential. All he could do was stare at his mobile phone and mutter incomprehensible monosyllables out loud.

So, what better option for him than to become a fully paid up member of the professional Career Advisor class? I quickly suggested this to him and immediately his eyes lit up. He stood up tall, looked out of the window, and flushed with the vocational call of telling other people how to live their lives, strode purposefully out of our meeting cupboard and into the playground. Later on I hear that he has run his first after school seminar on employability and the needs of the modern employer.

Another good day at the office? I would say so.

Alex Rivers is a Liverpool-based community musician, songwriter, and educator whose work lives at the intersection of music, healing, and social justice. He has spent over 15 years designing and delivering participatory music projects with young people, refugees, people in recovery, and others whose voices are too often unheard. His 2021 debut solo album, Where the Echo Lives, draws on stories gathered from the margins—songs shaped by community workshops, late-night jam sessions, and lyric scribbles shared in confidence. Beyond the stage, Alex is the founder of SoundGround, a non-profit dedicated to creative access and youth empowerment through music. He’s led international projects in Berlin, Athens, and Belfast, trained hundreds of arts facilitators, and continue to advocate for inclusive, trauma-informed practices in the creative industries. If you want to contact him, please leave your contact details here and I’ll pass on your interest.

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A Day in the Life of The Creative: All Things to All People

Continuing the serialisation of Mess Theory, here’s the next episode of A Day in the Life of The Creative.

All Things to All People

One benefit of working as the Creative in a hugely huge multinational corporate conglomerate Firm is the variety of tasks one is presented with on an hourly basis. The pleasures of multiple portfolio development opportunities make for an endlessly fascinating life although sometimes this brings its own set of unforeseen consequences. For instance, just this morning I was presented with a task that had seen off several management teams combined intellectual capabilities. The task was to turn our vast and disparate work force into a perfectly formed highly motivated staff team in order to impact on productivity and economic performance. The current management cohort had exercised its collective brain power for many years over this vexatious task and had all but given up until some bright spark suggested bringing their irreconcilable differences to the attention of the resident Creative aka yours truly aka myself.

I set about the task with my usual vim and vigour but had hardly opened the manual (Managing Effective Team Building in order to impact on Productivity and Economic Performance Vol. 9) before the next task had landed in my email: provide a challenging range of services for users of the company’s crèche in order to increase their social cohesion and improve their chances of upward social mobility in later life. No sooner had I opened the manual (Increasing Social Cohesion and Improving Upward Social Mobility vol. 56) than the next task was dropped on my desk: tackle the antisocial behaviour of lunchtime layabouts in the company’s car park. Needless to say, I had no time at all to consult the manual (Tackling Antisocial Behaviour of Lunchtime Layabouts in the Company Carpark Vol. 213) than yes, love, you guessed it: three other tasks pinged through the ether and presented themselves for immediate creative solutions from myself aka yours truly aka The Creative.

I am of course honoured to think that someone upstairs thinks that the company’s woes can be addressed through my services and simultaneously grateful for the opportunities to extend my career in such a diverse manner. What did we do in the olden days? I mused as I set about solving the sickness record of persistently sick employees. Not solve such intractable problems? Employ the services of what or who? Use magic? Whatever we did, that was then, and this, love, is now and I don’t have time to reflect on the whys and wherefores of how the Firm did or didn’t address its creaking infrastructure as I’m far too busy sticking Elastoplasts on short term issues, reading the manuals about the medium term ones and writing the manuals to address the longer term intractable ones.

All I know is that I’m busy busy busy, earning a good whack, have all the benefits of freelance employment status and none of the disadvantages of being micromanaged by an outdated management team who don’t know where to begin when it comes to building the perfectly formed highly motivated staff team in order to impact on productivity and economic performance. Life is nothing short of perfection and nothing on earth can ruin it.

To be continued…

Want to fast forward and read the whole book? You can do that here: